A welcome addition to the Fleischman-inspired design by Christian Schwartz, Farnham Headline moves the magazine-friendly family in a subtly more serious direction. Moving right along with OpenType Variations. Escrow sets the tone of the front page of.

Fit is a hyper-stylized caps-only typeface designed to fit just about any text into just about any space. Originally released in 1968 by the Italian foundry Nebiolo, Forma was designed to be a more mature and humane neo-grotesque. Roger Black and DJR revived the face, focusing on its retro printed appearance and super-tight spacing. A glimmering sans-serif family with .

Tall, Low and Text. Dunbar is an exuberant geometric sans with a unique structure, including Tall and Low display versions and a Text version for smaller sizes.

Efficient and practical yet dynamic and detailed, New Hero delivers mission-critical messages over 20 styles, from the crystalline Hairline to the über-punchy Super. New Rubrik expresses how new technology is made simple and easy.

DINosaur, a rounded sans. Multi, a sans with a sense. Guapa, a display with lots of charm. Magasin, a wavy script.

A brand new text face by Victoria Rushton.

Great type for great design. Type Network is a growing alliance of the best independent type designers and foundries from around the world. Now to explore our diverse range of typefaces.

Kazimir is a modern serif consisting of five weights, from light to bold, with matching italics. Its narrow proportions, long extenders, and dynamic strokes recall the rhythms of transitional serifs. With its wide range of weights and styles, BigCity Grotesque rises to all sorts of typographic occasions from large display settings to finicky, detailed editorial work.